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By Roberto Bolaño

ISBN-10: 0811216640

ISBN-13: 9780811216647

ISBN-10: 0811217469

ISBN-13: 9780811217460

A journey de strength, Amulet is a hugely charged first-person, semi-hallucinatory novel that embodies in a single woman's voice the depression and violent fresh background of Latin America.Amulet is a monologue, like Bola?o's acclaimed debut in English, through evening in Chile. The speaker is Auxilio Lacouture, a Uruguayan lady who moved to Mexico within the Nineteen Sixties, changing into the "Mother of Mexican Poetry," striking out with the younger poets within the caf?s and bars of the college. She's tall, skinny, and blonde, and her favourite younger poet within the Nineteen Seventies is none except Arturo Belano (Bola?o's fictional stand-in all through his books). in addition to her younger poets, Auxilio recollects 3 striking girls: the melancholic younger thinker Elena, the exiled Catalan painter Remedios Varo, and Lilian Serpas, a poet who as soon as slept with Che Guevara. And during her imaginary stopover at to the home of Remedios Varo, Auxilio sees an uncanny panorama, a type of chasm. This chasm reappears in a imaginative and prescient on the finish of the e-book: a military of kids is marching towards it, making a song as they pass. the kids are the idealistic younger Latin american citizens who got here to adulthood within the '70s, and the final phrases of the unconventional are: "And that track is our amulet."

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Sample text

I saw it all and yet I didn't see a thing. Am I making any sense? I am the mother of all the poets, and I (or my destiny) refused to let the nightmare overcome me. Now the tears are running down my ravaged cheeks. I was at the university on the eighteenth of September when the army occupied the campus and went around arresting and killing indiscriminately. No. Not many people were killed at the university. That was in Tlatelolco. May that name live forever in our memory! But I was at the university when the army and the riot police came in and rounded everyone up.

I was the one who introduced him, some weeks later, to the poetry of Ezra Pound and William Carlos Williams and T. S. Eliot. I took him home once, sick and drunk, holding him up as he clung to my bony shoulder, and I made friends with his mother and his father, and his sister, who was so nice, they were all so nice. And the first thing I said to his mother was: I haven't slept with your son, Mrs. Belano. That's just how I am, I like to be frank and forthright with frank and forthright people (although this inveterate habit of mine has caused me no end of grief).

And then at some point in that scene, which must have really occurred, I can't have dreamed it, Professor López Azcárate opened his mouth. He opened his mouth as if gasping for air, as if that faculty corridor had been suddenly sucked into an unknown dimension, and said something about the Art of Love, by Ovid, something that took Bonifaz Nuño by surprise and seemed to intrigue Monterroso, but the young poets or students didn't understand it, me neither, and then López Azcárate turned red, as if he simply couldn't bear the suffocation any longer, and a few tears, just a few, four or six, rolled down his cheeks and hung from his mustache, a black mustache that was beginning to go white at the tips and in the middle, a look that always struck me as curious in the extreme, like a zebra or something, a black mustache that was, in any case, incongruous, crying out for a razor blade or a pair of scissors, and if you looked López Azcárate in the face for long enough it became blindingly obvious that this mustache was an anomaly (and a voluntary one), and that a man with such an anomaly on his face was bound to come to a bad end.

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Amulet by Roberto Bolaño

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