By Ruben Quintero
This choice of twenty-nine unique essays, surveys satire from its emergence in Western literature to the present.
- Tracks satire from its first appearances within the prophetic books of the previous testomony during the Renaissance and the English culture in satire to Michael Moore’s satirical motion picture Fahrenheit 9/11.
- Highlights the real effect of the Bible within the literary and cultural improvement of Western satire.
- Focused in most cases on significant classical and ecu impacts on and works of English satire, but in addition explores the complicated and fertile cultural cross-semination in the culture of literary satire.
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Extra resources for A companion to satire : ancient to modern
Like many readers of the Bible, I had assumed that a prophet was in the business of prediction, foretelling the future. What could the Samaritan woman have meant by calling Jesus a prophet, a designation frequently applied to him by those who heard his message? What I had not realized was that prophets, at least their Hebrew incarnation – or their contemporary embodiments, like Mahatma Gandhi or Martin Luther King – rarely, if ever, predict. The future they envision is the likely consequence of present behavior.
What will be left is a nakedness, the state of the slave. The married women of Jerusalem shall be transformed not by the vanity of insouciant ornamentation but by the humiliation of slavery and exile. ’’ ( Jeremiah 2: 23–4). She is the contemptible streetwalker, oblivious to the despite she occasions in those who witness her behavior ( Jeremiah 4: 30). Such images take ordinarily respected subjects and present them in humiliating pictures, images of nakedness, as in Isaiah, or images of contemptible hypersexuality, as in Jeremiah.
In addition to providing a most useful and seminal definition of satire as critical fantasy, Northrop Frye also provides a basis for understanding the kinds of satire and irony that do and do not appear in ancient biblical texts. He introduces, first of all, a basic distinction: satire is explicit criticism, irony implicit. What does Umbricius dislike about Rome in Juvenal’s third Satire? His dissatisfactions are many and detailed. In Samuel Johnson’s 1738 adaptation of Juvenal’s poem, what Thales dislikes about London Johnson’s poem also makes abundantly and specifically clear.
A companion to satire : ancient to modern by Ruben Quintero